It's the name of a lipstick I wear
most days, proving
poetry's indomitable, ingrained, like the Namer
herself, wrestling thousands of new
untitled tubes- scarlets,
magentas, blue-reds, browns- but none
a gash, none a wound, no blood,
nothing wilted.
Stumbling cylinder to cylinder,
knowing full well what these balms
mean to a woman
dogging beauty.
Then at night, alone, aged skin
phosphorescent & furrowed
as a moon, she tends garden.
Pruning, shaping, watering
roots she planted in sand,
watering the sand.
originally published in New Zoo Poetry Review Volume 5
Saturday, February 27, 2010
Freud's Bowery
The artist means to take control: ribboning linen,
preening paint (ochre, ebon, gold!), laying
light in oily waves to an image
he creates: one absurdly out-sized, nude,
hairless man, mounded bellies hung over dancer's gams,
long mauve penis ripening with blood
while eyes once lost in a sea of fat and skin
press forward to command, first the painter,
then those who stand in the gallery gaping.
originally published in Threepenny Review 73
preening paint (ochre, ebon, gold!), laying
light in oily waves to an image
he creates: one absurdly out-sized, nude,
hairless man, mounded bellies hung over dancer's gams,
long mauve penis ripening with blood
while eyes once lost in a sea of fat and skin
press forward to command, first the painter,
then those who stand in the gallery gaping.
originally published in Threepenny Review 73
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